Skip to main content

Current Exhibitions

She Who Persists

  • May 2024 - April 2025


    Historically textiles and craftwork were largely regarded as a form of domestic ‘women’s work’, which refers to the often undervalued, unpaid jobs and chores stereotypically associated with, or assigned to women. However, feminist discourse and the inclusion of textile art into the contemporary arts sphere has led to a new appreciation for textile works made by women

    Statistics show almost half (45%) of Australian women have experienced a mental health challenge at some point in their lifetime. Both within and outside of cultural and artistic institutions there are compelling examples of how women have found solace, healing, self-expression and connection through craft and textile-based practices

    Spanning over 70 years, She Who Persists shares artworks and stories of women’s mental health experiences and the innovative, creative, and resourceful ways they have engaged with craft and textiles to manage and persevere through adversity and challenges

    Including works rarely shown from the Cunningham Dax Collection, She Who Persists showcases the power of tactile activities to provide a means of stress reduction, self-expression and connection with others, which can help to support mental wellbeing amidst challenging times. Visitors are invited to immerse themselves in the intricate tapestry of women’s experiences with mental health

    Exhibiting Artists: Sonia Agosta, Violet Billman, Jessie Brooks-Dowsett, Romy Dwosh, Carol Frieling, Emily Fitzsimons, Edith Agnes Harrington, Barbara Joyce, Chantal Larante, Robyne Latham, Eva Marks, Daniel McKenzie, Carol Maxwell, The Bridge Group and Esmé Sky Walker

   

A Subtle Omen 

  • 20 March - 5 June 2025

In this solo exhibition, Frances explores elements of their gender identity, especially focusing on their relationship with self-love, and how their lived experience with anxiety manifests in the body. Cannon reflects on their upbringing as a girl and how that has informed their non-binary queer identity. ⁠

The title 'A Subtle Omen' refers to moments in Cannon’s upbringing that were expressions of their queerness within the context of a Christian household and heteronormative society. Through this exhibition, we hope to highlight the importance of creative expression to mental wellbeing, especially for the queer community.⁠

Get Dax news and updates