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Artwork Loans

Artworks from the Cunningham Dax Collection are available for loan to other organisations, museums, art galleries and workplaces for up to 12 months

Artworks can be borrowed for a range of purposes, including:
Touring exhibitions 
Temporary gallery hangs 
Office spaces 
Public events and festivals 

If you have an exhibition, project or space that would benefit from the voices of our artists, please get in contact with us to discuss options. Art work loans provide direct support to The Dax Centre so we can continue our important work, and promotes the value of Australian artists with lived experience and opens up important conversations around mental health in diverse settings

We aim to agree to as many loan requests as we can service with our available staff resources

How to loan artworks from The Dax Centre

Prospective borrowers are encouraged to make initial contact via email to This email address is being protected from spambots. You need JavaScript enabled to view it. including the below information: 
- purpose of the loan
- proposed loan period dates
- venue information (where the artworks be installed)

Art loans from The Dax Centre require payment prior to the artworks being installed and the pricing follows our loan fee statement which can be provided through enquiry

Featured Works

Sophia Xeros-Constantinides, #4 (Chrysalis), 2009, 63.5 x 61cm, digital print on paper, 2012.0042

Sophie Xeros-Constantinides is a mother and clinician who explores perinatal mother-infant distress in both her artistic practice and clinical work through collage and photography. She critiques popular representations of motherhood through the repurposing of historical imagery.

Patricia Stewart, Beneath the Sea (Deeper and Deeper and Deeper), 1996, 131 x 70.5m, acrylic on masonite, 2013.0292

Patricia Stewart uses painting as a tool to  record and process her negative feelings from emotional abuse and Munchausen Syndrome by Proxy. The Dax Centre aids in her goal to share her experience and strength through art.

Graeme Doyle, Untitled, 2017, 100.5 x 130.5cm, texta, ballpoint pen, crayon, and graphite pencil on paper, 2017.5023

Graeme Doyle was an artist, poet, musician and performer who experienced schizophrenia and bipolar disorder from the age of 18. He describes himself as a "grim survivor with extraordinary encourage."

Renee Sutton, Untitled, 1959, 33.5 x 42cm, gouache on paper, 2003.2977

Renee Sutton dutifully recorded her life through a collection of over 200 artworks in the Dax Collection. Paintings and drawings, alongside letters and cards to Dr Dax combine to allow for an intimate insight into her personal experiences of psychiatric hospitals, community art groups and personal practice.

Leslie Holding, Metro Man at Night, 2009, 59 x 42cm, acrylic on paper, 2013.0254

Leslie Holding is a self-described “abstract surrealist artist, fascinated by dreamscapes and imagery of rural and metropolitan areas”. His perspective is informed by his experiences being homeless and in psychiatric wards. Alongside representation, Holdings explores mathematics, physics and God in his belief systems and art.

Rosa Niran, Love No. 1, 2008, 56 x 39cm, pen and ink on paper, 2012.0427

Rosa Niran’s works explore both the physical and emotional experience of her journey with breast cancer. In this series “Love” delicate drawings showcase the crucial intimacy and support of her husband throughout this struggle.

Elizabeth Turnbull, The Ancestors, 1986, 52.5 x 42cm, gouache on paper, 2014.0019

Elizabeth Turnbull is a writer and artist fascinated with instinctive expression and involvement with ‘outsider’ art. She explores themes of spirituality, the feminine, and the inner calm and silences across her varied mediums of drawing, painting, mixed media, and writing.

Rena Hoffman, Vale of Tears, 2008, 38 x 56cm, collagraph on card, 2009.0038

Rena Hoffman has been creating works for over 25 years that have helped her with overwhelming feelings of emotional responsibility for other’s happiness. She now shares this tool in her art therapy practice which prioritises building positive relationships with the self.

James Dickson, Transport thing, Edition, 1981, 57.5 x 91cm, screenprint on paper (edition 78/100), 2003.3509

James Dickson’s art practice provided him a creative outlet after struggling with depression and addiction during his time in the Royal Australian Air Force. His experimentations in art helped him to calm his mind and better understand his own thoughts, like personal tarot cards.

Isabella Duncan, Sleeping on the Moon, 2000, 30 x 26.5cm, acrylic on canvas, 2011.0029

Isabella Duncan is a wife, mother, artist, and professional who has over 100 paintings donated into the Dax Centre Collection. These reflect the journey of healing throughout her life, and include recurring motifs of women, flowers, rope, children, and the moon.